Writing Portfolio

Showing posts with label Dominic Sandbrook. Show all posts
Showing posts with label Dominic Sandbrook. Show all posts

19.3.20

Recent reads - Jack the Ripper (again), Britain in the early Seventies and a Biblical travelogue (of sorts)


I’ll start this post, about three factual works that I have recently read, by saying that I really should stop reading books about Jack the Ripper. It’s not exactly a healthy subject to obsess about. After the latest Ripper book, I think I’m done on that subject for now. It was Jack the Ripper: The 21st Century Investigation by Trevor Marriott, an ex-copper who was bigged up by the blurb as a ‘top Murder Squad detective’ who ‘reveals the Ripper’s true identity at last’; that last bit is used, with slight variations, for the blurb on almost all books about the Whitechapel Murders of 1888 so I didn’t exactly have high hopes. There followed a re-hash of the murders (I really am not sure if there’s much new that can be said here, but every Ripper murder book must of course cover this very well-trod ground – although to his credit, Marriott does at least suggest that there were victims beyond the ‘canonical’ five) before an admittedly entertaining set of chapters about the more prominent suspects (Montague Druitt, James Maybrick, the Duke of Clarence, etc, etc) in which the cases against each of them were taken apart. Marriott was somewhat put out that he wasn’t able to use his police contacts to have a go on HOLMES, the modern crime-recording database – he must’ve hated the recent BBC documentary, Jack the Ripper: The Case Reopened, in which Emilia Fox was allowed to do just that. Marriott’s eventual hypothesis was that the murderer might have been a sailor on one of the many ships in London’s docks which were not far from Whitechapel – not original, but it’s interesting how he’s able to research this (there’s not as much evidence as he’d hoped) and I like how he brought in the international angle – there were reports in the years immediately after 1888 of similar crimes in Germany and Nicaragua, although how much of that may or may not have been true is debatable (as with any Ripper study, Marriott is as quick to disregard any evidence that doesn’t support his theory as he is solid in his defence of the evidence that does). The ‘Ripper’ in this study turned out to be a German sailor who murdered his landlady in New York in 1894 and who, after being found guilty, met his end in the electric chair two years later. Apparently his lawyer thought he might have been Jack the Ripper. I’m not really convinced – we’ve had theories about Ripper suspects ending up getting done for different murders before. This, ultimately, was not the best of Ripper reads (Patricia Cornwell’s Portrait of a Killer: Jack the Ripper – Case Closed, which also tried to use modern investigatory techniques and came up with a very different but equally unprovable suspect, has the merit of being much better written), while I take my leave of Ripper speculation with a thought that maybe, given recent events involving Russia, the old one about the Ripper being a Russian agent acting to discredit the British police might be due a re-airing.

Moving to more recent history, I’ve encountered Dominic Sandbrook before. He’s the revisionist historian who wrote four books detailing British history – not just the politics, but a bit of everything including society, economics, popular culture, etc – between the Suez Crisis and the election of Mrs Thatcher. I read them out of order, of course, starting with the last one (Seasons in the Sun: The Battle for Britain, 1974-1979). I liked that one so much that I went back to the beginning and enjoyed the first one (Never Had It So Good: A History of Britain from Suez to the Beatles), then immersed myself in the second (White Heat: A History of Britain in the Swinging Sixties). And so to the third – State of Emergency: The Way We Were, 1970-1974. The early Seventies in Britain were strange times indeed and Sandbrook, true to form, immerses the reader in this period which saw strikes, moral panics over the country’s youth (a recurring theme in Sandbrook’s books, the only thing apparently new about the skinheads being that they dressed different from the Teddy boys from just over a decade beforehand), all hell breaking loose in Northern Ireland, more strikes, a Home Secretary seemingly permanently drunk (stagger forward, Reggie Maudling), several decent sitcoms and massive cultural change while there was a PM who had a grand piano installed in Downing Street (Ted Heath, of whose various faults the worst seems by this account to have been a run of appallingly bad luck). Everything, right down to children’s TV shows (and the accompanying concern that kids were watching too much TV), football hooliganism and popular fiction (in particular Malcolm Bradbury’s The History Man which, although published in ’75, is used as a prism here to explore radical chic) gets a look-in here; even life in the suburbs, much maligned at the time, gets a more positive going-over. As with Sandbrook’s other works, things draw to a grand climax in which events and themes previously mentioned draw together as a government teeters on the brink; here, it’s the Heath government declaring a state of emergency for the fourth time (yes, really) as Britain, in economic trouble even before the oil crisis of ’73, lurches into the Three-Day Week in which electricity was limited to conserve energy supplies (and, guess what, people panic-bought toilet paper). Worth a read, even if you haven’t read any other books in the series!

And then there’s Apostle: Travels to the Tombs of the Twelve by an American travel writer called Tom Bissell. The clue’s in the title – Bissell has taken it upon himself to visit the tombs (or sites of the tombs) of Jesus’s disciples. As travelogues go it’s an interesting challenge and Bissell – who kicks off by saying that he comes to this as a lapsed Catholic – has really done his homework in the arcane subject of who the twelve Apostles were (the four Gospels are not exactly in universal agreement here), what happened to them and where they ended up. Obviously in some cases their remains ultimately found their way to more than one place and some of this is highly disputed, but Bissell picks one site for each one and goes there to see what he can find out (the sites in question may raise some eyebrows – the site of an obscure monastery in Kyrgyzstan as opposed to Salerno Cathedral for St Matthew, for example, though what with several of the disciples being buried in Rome I guess he chose a site outside Italy for a bit of variation). On the way, he displays some impressively in-depth theological learning, sometimes perhaps too in-depth while in places he does tend to lose patience with the people he meets (his travels occurred over the course of several years, and at one point he notes that it was four years until he met ‘a person visiting a Christian church who knew something about Christianity’). He’s at his best in the first chapter, to be honest – visiting Jerusalem in an attempt to find the place where Judas Iscariot hanged himself – and by the end it seems like he’s running out of steam, devoting a mere four-and-a-bit pages to his pilgrimage to Santiago di Compostela. A promising premise and plenty of insights, overall it’s more solidly good than anything else.

7.11.16

The modern history books: Spies, conspiracies and Britain in the early Sixties

We live in an age where there’s a lot of popular history about, and some of it manages to combine a high standard of writing with excellent historical research. Here are three of the best that I’ve enjoyed reading recently:

Popping up on TV as well as in print, Dominic Sandbrook is one of those historians who’s pretty good on revisionism – reinterpreting historical facts by looking at the evidence from a different perspective and coming up with something that challenges the accepted historical view of historical events; the old A.J.P. Taylor maxim of nothing being inevitable until it happens is very much Sandbrook’s guiding principle, it seems. In the first of his four books on recent British history, Never Had It So Good: A History of Britain from Suez to the Beatles, he strikes a fine balance between the political, the economic and the cultural, looking below the surface of events. The travails of Harold Macmillan’s various Chancellors (Reggie Maudling strikes me as being one of the most amusing people ever to have held that particular post) are juxtaposed with sections on movies, books (Ian Fleming of course, but also Kingsley Amis and long-forgotten types like Colin Wilson), television (this was the time when ITV started and the BBC entered one of its most creative periods), moral panic in the newspapers over immigration and the sexual behaviour of teenagers (plus ca change…), the early Sixties satire boom and pop music; plenty of stuff in that last bit on Lonnie Donegan, Billy Fury and Acker Bilk (whose presence is explained by the notion that in early 1962 there were those who thought that trad jazz would be the defining sound of the Sixties) before we get to the Beatles (where Sandbrook’s revisionism is clearly shown, with there being nothing inevitable about Beatlemania, the last remark on which goes to Ted Heath of all people – as Trade Secretary at the time, he remarked that the demand for Beatles-style jackets in late 1963 single-handedly saved Britain’s corduroy industry). It’s a long book (738 pages, not including the footnotes) but it’s well worth persevering with. The set-piece chapter is the one on the Profumo scandal – which has quite the build-up by being referenced or alluded to in previous chapters before, following an account of the Vassall scandal, it breaks out in a surprisingly low-key fashion (the central point, a junior minister’s affair with a call-girl, lasted just a few weeks) before becoming something that “might have been scripted to encompass a wide range of sensitive issues of the early sixties: espionage and subversion, sexual wantonness, unchecked materialism, the supposed exoticism and criminality of immigrant communities and the nepotism and ineptitude of the Conservative government ... it touched on public and private anxieties that had already been festering for years.” Interesting times, indeed, and fascinatingly chronicled here.

History of a somewhat different nature is covered by David Aaronovitch in his Voodoo Histories: How Conspiracy Theory has Shaped Modern History. If we really do live in a conspiracy-obsessed age – and reactions to recent events both here and in the United States have presented little evidence to the contrary – then perhaps a look at conspiracy theories of the past, the truth behind them and why so many are willing to believe them (the need for a certain type of narrative is a key part of this) is no bad thing. Thus, we have a chapter on the infamous Protocols of the Elders of Zion (a document which, despite being exposed as a forgery in 1921, did much to fuel anti-Semitism in the twentieth century and is still doing the rounds in the Middle East) and a somewhat lighter chapter on the pseudo-history concerning the Priory of Sion myth (amusingly entitled ‘Holy Blood, Holy Grail, Holy Shit’). Showing that conspiracy repeats itself, there are links made between the conspiracy theories surrounding the deaths of Marilyn Monroe and Princess Diana, and also (exploring a particularly British vein here) between the deaths of Hilda Murrell and David Kelly. Personally, I’d’ve liked to have seen what Aaronovitch might have to say about the various conspiracy theories surrounding Harold Wilson, but what makes this book so relevant for readers today is the American stuff. When Aaronovitch turns his attention Stateside, there are chapters on conspiracy theories about Pearl Harbour, various Clinton-related cover-ups, the 9/11 ‘truthers’ and the Obama ‘birthers’; those last two show how belief in conspiracy theories has risen with the advent of the Internet (“Cyberspace communities of semi-anonymous and occasionally invented individuals have grown up … the democratic quality of the Net has permitted the release of a mass of undifferentiated information, some of it authoritative, some speculative, some absurd”). As this book was published in 2010, there’s nothing about Donald Trump’s involvement in the ‘birther’ nonsense, although if Aaronovitch is going to do a second edition he’d probably need to include a whole chapter (maybe more), building on the post-Internet rise in the popularity of conspiracy theories, about the uses of conspiracy theories as political weapons in this year’s Presidential election. This book is intelligently written and hugely enjoyable, and a good one to have read before the next time someone brings up the subject of the ‘truth’ about, say, 9/11 or the pseudo-history behind The Da Vinci Code.

Conspiracy of a real rather than a theoretical sort abounds in A Spy Among Friends: Philby and the Great Betrayal, the tale of how Kim Philby betrayed, well, just about everyone. Ben Macintyre – an author of espionage-related stuff who I have read before (his Agent Zigzag is excellent) – is on good form here dealing with the story of perhaps the most notorious traitor in British history, aided by being able to access recently-declassified government files and previously unseen private papers. This isn’t a straight biography of Philby, though (there have been plenty of those); this one tells the story of British and American intelligence in the Second World War and the early part of the Cold War, focussing in particular on the friendship between Philby and two of his closest associates, Nicholas Elliott of MI6 and James Jesus Angleton of the OSS, and later the CIA. Elliott was a very good friend of Philby – or so he thought; they were of a similar background (public school, Cambridge, made their names in intelligence during the Second World War) and he shared everything he knew with him at a time when people who worked for the secret service were very tight-lipped outside of it, but frequently got drunk and let slip all sorts of interesting information when socialising with colleagues (something of which Philby took full advantage). After the defections of Burgess and Maclean in 1951, which ruined Philby’s intelligence career by virtue of his closeness to the former rather than any concrete evidence, Elliott was instrumental in maintaining Philby’s innocence – blackening the reputation of a particularly troublesome MP who used Parliamentary privilege to ask some questions that some would rather have remained unasked – while trying to bring him back into the fold (he eventually succeeded in having him appointed as an agent under journalistic cover in Beirut, from where Philby defected to the Soviet Union in 1963). Elliott was also involved in the Crabb fiasco of 1956, the story of which is told here (one wonders how he was able to keep his job after that one, which went against the explicit orders of the Prime Minister). He was deeply affected by Philby’s betrayal, as was Angleton, although the effect on the latter was perhaps more ruinous for the intelligence community; having trusted Philby implicitly, Angleton switched to not trusting anyone and, having convinced himself that there was a mole in the CIA, wasted much time and resources as well as resorting to illegal methods in the chasing of this phantom, to the extent – irony of ironies – that some came to believe that Angleton himself was a KGB mole, charged with causing as much damage to the running of the CIA as possible. It all, it seems, went back to Philby. As retold by Macintyre, this is a truly irresistible read for anyone who, like me, has a penchant for spy fiction.